A gay Californian teenager’s visit to Nebraskan relatives turns more nightmarish than he anticipated, for reasons that he never could have imagined, as clouds of displaced sexuality hover over flowing rivers, fertile fields and little girls on big horses. Told uniquely through the kid’s (Ryder, played by Logan Miller) largely uncomprehending point of view, this Midwestern gothic tale maintains sufficient visual distance to suggest alternative narratives from other perspectives. This superlatively acted indie film promises more than it delivers, but chillingly evokes sufficient primal dread to intrigue all audiences.